![]() Owing to its extraordinary range and original insights, it is destined to become the standard work for many years to come."-Sam Rose, Apollo Magazine "Wood’s history is one of only a handful of book-length attempts to offer a synthetic treatment of the history of art history. The major art historians of the modern era, however-Jacob Burckhardt, Aby Warburg, Heinrich Wölfflin, Erwin Panofsky, Meyer Schapiro, and Ernst Gombrich-struggled to adapt their work to the rupture of artistic modernism, leading to the current predicaments of the discipline.Ĭombining erudition with clarity, this book makes a landmark contribution to the understanding of art history. Only in the Romantic era did art historians discover the virtues of medieval art, anticipating the relativism of the later nineteenth century, when art history learned to admire the art of all societies and to value every work as an index of its times. ![]() The book shows that the pioneering chroniclers of the Italian Renaissance-Lorenzo Ghiberti and Giorgio Vasari-measured every epoch against fixed standards of quality. Synthesizing and assessing a vast array of writings, episodes, and personalities, this original account of the development of art-historical thinking will appeal to readers both inside and outside the discipline. In this wide-ranging and authoritative book, the first of its kind in English, Christopher Wood tracks the evolution of the historical study of art from the late middle ages through the rise of the modern scholarly discipline of art history.
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